I don’t normally teach beginning lampworking but over the years, have shown friends and family are interested how to melt glass from time to time. Remembering my first class at the local bead shop, how daunting it was to try to wind the molten glass onto a mandrel without any understanding of how glass moved in the flame, I have beginners pull stringers in various thickness before actually making a bead on a mandrel. This way, they get a feel for how glass melts, have an understanding of the heat based on the color of the tip of the rod, and learn the importance of how gravity affects the molten glob. I also spend time explaining how to round up a bead using gravity from the get go.
I am happy to show these AWESOME beads made by my college buddy’s kid (well, she’s in her mid 20s so not exactly a kid! ;-)) on her VERY FIRST DAY of lampworking! Perfect beads with dimpled ends on pretty much all of these!
And she got a matched pair to turn into a pair of earrings!
And a pendant to match!
To say that I was a proud teacher/auntie was an understatement! 😀
It’s not surprising that Clio is one of Double Helix Glassworks‘ most popular silver glass – with its translucent/transparent quality, flameworkers can layer Clio on top of colored glasses and achieve different results. Getting hot pink was all the rage when Clio was first introduced – layering transparent orange with a clear coat, then Clio, and finally encasing everything in Zephyr. With the introduction of RHEA – the clean, non-reactive gold ruby – one can achieve pinks without the clear coat.
Now we have other translucent/transparent reduction colors that work just as wonderfully with the layering technique… ZL-689 released as Phoebe and the 2018 Transparent Luster Test Batches, CA-706, EL-702, OX-696, OX-705, PL-699, ZL-707. Layer them over RHEA or experiment over other Effetre and CiM colors!
Here are a couple of examples:
Over RHEA test batch
Over various Effetre colors
That’s the best way to create a unique palette with just a couple of silver glass colors!
Disclaimer: I don’t work for Double Helix nor am I paid as a tester.
The International Society of Glass Beadmakers annual glass conference, the Gathering, is next week in Las Vegas, and after a year of absences, Double Helix Glassworks will again be there with its very-sought-after test batches! As I have done in years past, I had the honor to create sample beads for Jed and Julie! I think all my glassy friends will be thrilled with these batches so make sure you queue up early Friday morning! 😀
I created beads from my Enchantment, Dragon Scale, and Celestial Series, along with unencased spacer beads…
Have been busy melting glass getting ready for the International Society of Glass Beadmakers annual conference, The Gathering, in Las Vegas end of this month. This will be the debut of my Enchantment Series at its Bead Bazaar – an all-artisan-glass show on Saturday, 1 April.
This one is the extra large size at 40mm / 1.57 in!
My first online Bench Sale was week was a success! A heartfelt thank you for all your support! I hope to do one twice a year depending on my teaching, demonstration, and show schedules for I usually do not have enough inventory to do more than one venue!
I’d like to recap this momentous event with pictures of what were available. Happy to share that the majority of the items have already arrived at their new homes! 😀
Hoping to have our first online bench sale next month, figure it should coincide with a new series so I have been working hard to creating something … ummmm… enchanting! 😉
These tiny worlds of shimmering swirls, bubbles, crevices, sparkles, millifiori, dichroic,mesh, etc., all encapsulated in a glass sphere, will hopefully be both enticing and mesmerizing! Some feel like an underwater oasis, others like hidden treasures… let your imagination take you into these tiny orbs and be lost in their mystical depths.
If you are not on our email list and are interested in joining us for the first online bench sale, sign up on our website! We send about four email blasts a year and never share our list.
I had the honor to present at the annual International Society of Glass Beadmakers (ISGB) Gathering conference in New Orleans, Louisiana, last month. The topic, of-course, was on working with silver glass. When I presented five years ago at the ISGB Gathering conference in Louisville, Kentucky, I did it on one of my signature series at that time: Abyss and Torrent. This time, I thought a basic presentation on how to work the silver glasses – striking, reducing, and combination (both striking and reducing) – is more valuable to the attendees.
Such an invaluable resource is worthless stuck as a PowerPoint presentation on my computer hard drive however. Thus I took a little time and put the presentation in its entirety, including three video demonstrations, on my website!
I have also included a Donate button for the ISGB. To all my glassy friends: if you find the presentation helpful, please consider giving a small donation to the ISGB for without its conference, I’d never have put this together in the first place!
Please note that there is no sound – only the PowerPoint presentation reformatted and the video demonstrations – for the original presentation was not taped.